Live Entertainment
A compilation of my credits working in live entertainment, along with engineering experience.
Along with building and delivering a sound system, my experience in engineering includes live mixing; this is a skill I have learned and practiced over the years. It involves board programming, orchestral and band mixing, and line-by-line mixing.
Sound design for theatre begins with creating the speaker system design to implement into the space. The sound designer collaborates with the director to illustrate the story being told with an immersive experience.
Sound Engineering
Head Sound Engineer University of North Carolina School of the Arts Director: Lo Feliciani Ojeda Music Director: Dionne McClain-Freeney Scenic Designer: Sarah Webster Lighting Designer: Malcolm Foster Sound Designer: Katherine Gonzalez Properties Director: Meg Winkler Costume Designer: Maki Niikura Wig & Make-up Designer: Kenzie Biundo
Head Sound Engineer DLive S7000
Head Sound Engineer University of North Carolina School of the Arts Director: Lo Feliciani Ojeda Music Director: Dionne McClain-Freeney Scenic Designer: Sarah Webster Lighting Designer: Malcolm Foster Sound Designer: Katherine Gonzalez Properties Director: Meg Winkler Costume Designer: Maki Niikura Wig & Make-up Designer: Kenzie Biundo
Head Sound Engineer University of North Carolina School of the Arts Director: Lo Feliciani Ojeda Music Director: Dionne McClain-Freeney Scenic Designer: Sarah Webster Lighting Designer: Malcolm Foster Sound Designer: Katherine Gonzalez Properties Director: Meg Winkler Costume Designer: Maki Niikura Wig & Make-up Designer: Kenzie Biundo
Assistant Sound Engineer Directed by Matthew Simpson Scenic Design: Inseung Park Lighting Design: Alice Trent Costume Design: Angelina Herin Sound Design: Richard Sprecker Props Supervisor: Teddy Ramon Wig Supervisor: Colin Grice
Assistant Sound Engineer Directed by Matthew Simpson Scenic Design: Inseung Park Lighting Design: Alice Trent Costume Design: Angelina Herin Sound Design: Richard Sprecker Props Supervisor: Teddy Ramon Wig Supervisor: Colin Grice
Assistant Sound Engineer Directed by Matthew Simpson Scenic Design: Inseung Park Lighting Design: Alice Trent Costume Design: Angelina Herin Sound Design: Richard Sprecker Props Supervisor: Teddy Ramon Wig Supervisor: Colin Grice
Assistant Sound Engineer Directed by Matthew Simpson Scenic Design: Inseung Park Lighting Design: Alice Trent Costume Design: Angelina Herin Sound Design: Richard Sprecker Props Supervisor: Teddy Ramon Wig Supervisor: Colin Grice
Assistant Sound Engineer/Mic Wrangler Directed & Choreographed by Whitney Branan Music Direction: Paul Marszalkowski Scenic Design: Inseung Park Lighting Design: Alice Trent Costume Design: Camilla Morrison Sound Design: Richard Sprecker Props Supervisor: Teddy Ramon Wig Supervisor: Colin Grice
Assistant Sound Engineer Directed & Choreographed by Whitney Branan Music Direction: Paul Marszalkowski Scenic Design: Inseung Park Lighting Design: Alice Trent Costume Design: Camilla Morrison Sound Design: Richard Sprecker Props Supervisor: Teddy Ramon Wig Supervisor: Colin Grice
Personal ear rig I made for a senior cast member in the quartet. Mic tape would not stick to his skin so I improvised and it worked like a charm
Assistant Sound Engineer/Mic Wrangler Directed & Choreographed by Whitney Branan Music Direction: Paul Marszalkowski Scenic Design: Inseung Park Lighting Design: Alice Trent Costume Design: Camilla Morrison Sound Design: Richard Sprecker Props Supervisor: Teddy Ramon Wig Supervisor: Colin Grice
Assistant Sound Engineer Written & Directed by DJ Canaday Scenic Design: Nick Kilgore Lighting Design: Harrison Marcus Costume Design: Ashley Rutkowski Sound Design: Elizabeth Copenhaver Props Supervisor: Teddy Ramon Wig Supervisor: Dylan Werth
Assistant Sound Engineer Written & Directed by DJ Canaday Scenic Design: Nick Kilgore Lighting Design: Harrison Marcus Costume Design: Ashley Rutkowski Sound Design: Elizabeth Copenhaver Props Supervisor: Teddy Ramon Wig Supervisor: Dylan Werth
Assistant Sound Engineer Written & Directed by DJ Canaday Scenic Design: Nick Kilgore Lighting Design: Harrison Marcus Costume Design: Ashley Rutkowski Sound Design: Elizabeth Copenhaver Props Supervisor: Teddy Ramon Wig Supervisor: Dylan Werth
Assistant Sound Engineer Written & Directed by DJ Canaday Scenic Design: Nick Kilgore Lighting Design: Harrison Marcus Costume Design: Ashley Rutkowski Sound Design: Elizabeth Copenhaver Props Supervisor: Teddy Ramon Wig Supervisor: Dylan Werth
Technical Assistant
Technical Assistant Worship Center Venue Technial Director: Edward Foster Music Director: Heather Thomsen Tang
Technical Assistant Professional ballet dancers for wedding prelude
Technical Assistant
Technical Assistant Audio/Visual Venue: Montreat Conference Center Music Director: Heather Thomsen Tang
Technical Assistant Audio/Visual Venue: Montreat Conference Center Music Director: Heather Thomsen Tang
Technical Assistant Audio/Visual Venue: Montreat Conference Center Music Director: Heather Thomsen Tang
Technical Assistant Audio/Visual Venue: Montreat Conference Center Music Director: Heather Thomsen Tang
Production Sound Engineer University of North Carolina School of the Arts Head Sound Engineer: Kai Machuca Assistant Sound Engineer: Connor Stevens Band Director: Ronald Rudkin
System Diagram
Production Sound Engineer University of North Carolina School of the Arts Head Sound Engineer: Kai Machuca Assistant Sound Engineer: Connor Stevens Band Director: Ronald Rudkin
Production Sound Engineer University of North Carolina School of the Arts Head Sound Engineer: Kai Machuca Assistant Sound Engineer: Connor Stevens Band Director: Ronald Rudkin
Production Sound Engineer Moving L-ISA System to new location and reconfiguring. Section View
Production Sound Engineer Moving L-ISA System to new location and reconfiguring. Plan Overview
Production Sound Engineer Moving L-ISA System to new location and reconfiguring. Ground Placement
Production Sound Engineer Moving L-ISA System to new location and reconfiguring. Section View
Sound Design
Sound Designer University of North Carolina School of the Arts Scenic Designer: Christina Lu Properties Director: Henry Beard Wig & Make-up Designer: Teagan Hamel Lighting Designer: Julian Cordova Costume Designer: Will Wharton
Sound Designer University of North Carolina School of the Arts Scenic Designer: Christina Lu Properties Director: Henry Beard Wig & Make-up Designer: Teagan Hamel Lighting Designer: Julian Cordova Costume Designer: Will Wharton
EASE speaker coverage plots for center speaker
Sound Designer University of North Carolina School of the Arts Scenic Designer: Christina Lu Properties Director: Henry Beard Wig & Make-up Designer: Teagan Hamel Lighting Designer: Julian Cordova Costume Designer: Will Wharton
Assistant Sound Designer University of North Carolina School of the Arts Director: Marina Zurita Scenic Designer: Joelle Gonzalez Props Director: Amy Laliberty Costume Designer: Logan Benson Wig and Make-up Designer: Kenzie Bind Lighting Designer: Taylor Gordon Sound Designer: Elizabeth Copenhaver
Assistant Sound Designer University of North Carolina School of the Arts Director: Marina Zurita Scenic Designer: Joelle Gonzalez Props Director: Amy Laliberty Costume Designer: Logan Benson Wig and Make-up Designer: Kenzie Bind Lighting Designer: Taylor Gordon Sound Designer: Elizabeth Copenhaver
The Sound Team [left to right] Assistant Sound Designer: Talia Whitehead Head Sound Engineer: Bella Flosi Assistant Sound Engineer: Molly Mcgill Sound Designer: Elizabeth Copenhaver
Assistant Sound Designer University of North Carolina School of the Arts Director: Marina Zurita Scenic Designer: Joelle Gonzalez Props Director: Amy Laliberty Costume Designer: Logan Benson Wig and Make-up Designer: Kenzie Bind Lighting Designer: Taylor Gordon Sound Designer: Elizabeth Copenhaver
Electronics
Process photos of soldering a condenser microphone
A play-through of the hand-held Tetris game system I soldered. These components came from a kit and were given as a competence test in an ambisonic microphone lab.
DC TIG 14ga welded corner joint - no filler wire